Recent findings by The Guardian reveal alarming visa rejection rates for African and Asian artists attempting to perform in the UK and EU, with some facing rejection rates as high as 70%.
Artists from low and middle-income countries are particularly affected, facing significant financial and emotional burdens due to the non-refundable visa fees and repeated rejections. The restrictive visa policies are seen as humiliating and discriminatory. This sentiment is particularly strong among African applicants, who face some of the highest rejection rates globally. The report underscores a double standard, pointing out that artists from high-income countries face far fewer obstacles. Kenyan DJ Coco Em emphasized this imbalance, stating, “DJs from the UK can come to Kenya, but the UK visa system is really restricting our voices.”
By discouraging international artists from touring, these visa policies could lead to homogenisation of the music scene, depriving audiences of diverse performances and perspectives. The music industry, already struggling with the impacts of the pandemic, risks further setbacks if these talented artists are continually stopped from sharing their work on an international level. Especially since Afro-house is currently one of the fastest growing-genres in the global electronic music scene.
The Guardian’s findings call for a reevaluation of visa policies to promote fairness and inclusivity, ensuring that artists worldwide have the opportunity to share their talents. For more detailed insights, read the full report here.
